REVIEW: Salmon Man (2026 Video Game) - on MetaQuest VR

Review by Jon Donnis

Salmon Man is a physics-based VR platformer for MetaQuest that surprises you with how much depth it hides behind a simple concept. You play as Salmon Man trying to make your way upstream using nothing but your paddle, and at first glance, it might look like a straightforward, even quirky, arcade challenge. But as you progress, the layers of design, precision, and difficulty become immediately clear. Every jump, swing, and manoeuvre requires thought, timing, and skill, and the game does an excellent job of making both victories and failures feel meaningful.

The core gameplay revolves around your paddle, which is both your lifeline and your main source of tension. It reacts precisely to your hand movements, with no noticeable lag, allowing you to pull off daring jumps or risky maneuvers with confidence. The physics are demanding yet fair, making every interaction feel grounded and intentional. It's particularly satisfying when you manage a difficult sequence perfectly, and equally frustrating when a single slip sends you tumbling back, forcing you to start again. This high-stakes loop gives the game a thrilling sense of challenge, especially when water transforms into lava and mistakes can cost you dearly.

Level design is another standout. Each stage is packed with creative obstacles, from swinging platforms to absurd environmental hazards, and the layout encourages experimentation and repeated attempts. The game constantly teases you with "just one more go," making it difficult to put down once you get going. The world itself is colourful, lively, and full of absurd touches that inject humour into the intense platforming. For speedrunners, Salmon Man is particularly well-suited. The leaderboard encourages replayability, and unlocking new paddles or completing side challenges adds extra goals for those who enjoy perfecting their runs.

That said, the game is not without its limitations. The graphics are fairly plain, reflecting the small studio behind the project, and while this doesn't impact gameplay, it does make the world feel a little less immersive at times. Players who dislike highly challenging or rage-inducing games may find it frustrating, as some sections require repeated attempts and precise timing to overcome. Motion sickness is generally mild but can occur during certain fast or awkward movements.

Salmon Man is a simple but deeply satisfying VR experience. It combines challenging physics-based platforming with playful, absurd environments and finely tuned controls. Each success feels earned, and the game rewards patience, skill, and persistence. For anyone who enjoys difficult games, precise movement, and the thrill of competing for the fastest times, Salmon Man delivers in spades (oars?).

I score Salmon Man a solid 8 out of 10.

Out Now on MetaQuest

https://www.meta.com/en-gb/experiences/salmon-man/24064765919861785/

REVIEW: MAVRIX by Matt Jones (2026 Video Game) - Early Access on Xbox

Review by Jon Donnis

Mountain biking games rarely get the space to breathe, but MAVRIX by Matt Jones goes big straight away. This is not a tight circuit racer or a handful of curated trails. It throws you into a sprawling 100 square kilometre playground and simply says go. Downhill tracks, slopestyle lines, bike parks and open stretches of wilderness all sit side by side, inviting you to carve your own routes instead of following a prescribed path. It feels loose, free and refreshingly confident.

At its heart, MAVRIX is a mix of racer, trick sandbox and social space. One minute you are blasting down a timed downhill run chasing a leaderboard spot, the next you are stitching together your own line over jumps and berms just to see what works. Then a mate drops in and suddenly you are riding together, hunting hidden challenges or trying to sync huge sends for the laugh of it. That sense of shared play gives the world a bit of life. It never feels like a sterile menu driven experience.

The physics system is easily the headline act. Dual stick controls split braking and body movement in a way that takes a little learning, but once it clicks, it feels great. You feather the brakes, shift your weight, and manage the suspension with a surprising level of intention. Landings have heft. Drifts feel earned. Even a simple bunny hop has a bit of character. The recent console updates help too, with the bike and rider feeling more grounded thanks to suspension tuning and improved turning physics. Being able to move the rider's body to tighten a corner adds just enough finesse to separate good runs from great ones.

Tricks and the new Slopestyle mode are another strong addition. Three fresh slopestyle courses join the existing jump trails, and the fact that those older trails can now host competitions makes the whole map feel more useful. Instead of isolated arenas, everything connects. You start looking at the landscape differently, spotting transfers and creative lines that were not obvious before. It leans into the playful side of mountain biking, which suits the game well.

There is a pleasing layer of authenticity running through the rest of it. Real world brands let you tweak frames, components and clothing, and the sponsorship system, including the new Red Bull deal, pushes you to grind for contracts like a pro rider would. Add global rankings and competitions with genuine prizes and you have a clear reason to keep pushing for cleaner, faster runs. It is not just messing about in the dirt. There is a bit of purpose behind it all.

Visually and sonically, it does the job nicely. The landscapes are broad and inviting, the parks look the part, and the sound of tyres on dirt and suspension chatter sells the speed. More importantly, it is simply fun. That is the thing that kept pulling me back in. Even after a messy crash or a failed trick line, you just want one more run.

Still, this is early access, and it shows. Bugs crop up, rough edges remain, and there are moments where systems feel unfinished. You can sense that the foundation is strong but the house is not fully built yet. It also wobbles a bit between simulation and arcade. For something marketed as serious and authentic, it sometimes drifts into slightly exaggerated, gamey behaviour. Personally, I did not mind the lighter touch, but hardcore riders looking for a strict sim might raise an eyebrow.

Having played the early access version on PC before this console release, the improvements are obvious. It feels smoother, more considered and generally better put together. The steady updates and clear signs that the developers are listening to players give it a lot of goodwill. You get the sense this is a project that will keep evolving rather than sitting still.

Right now, MAVRIX by Matt Jones is not perfect, but it is promising and already genuinely enjoyable. With its huge world, flexible riding, strong physics and regular updates, it has every chance to cement itself as the go to game for this niche. A bit more polish and it could be something special.

I score MAVRIX by Matt Jones a solid 7.5 out of 10. I look forward to seeing what they have planned next.

Out Now on Xbox

https://www.xbox.com/en-GB/games/store/mavrix-by-matt-jones-game-preview/9nzx67j81x6f

REVIEW: UFOPHILIA (2026 Video Game) - on PC Steam

Review by Jon Donnis

UFOPHILIA leans into the unnerving investigation type feeling from the very first mission. This first person psychological horror game casts you as an investigator whose obsession with UFO sightings has pushed them into the wild, chasing reports of close encounters and trying to prove, with cold hard evidence, that we are not alone. It is a simple hook, but an effective one.

Each mission begins quietly inside your cramped RV, which serves as both headquarters and safe haven. Screens flicker, equipment hums, and your tools are laid out like a ghost hunter's kit bag. Cameras, motion detectors, EMF readers, magnetic wave sensors and more sit ready to be deployed. From there you select a location tied to sightings, then step out into the dark with only your gear and your nerves for company. It is a strong setup that immediately sells the fantasy of being a lone field researcher rather than a typical horror game protagonist.

The structure is clear and methodical. First you pick the job, then you gather clues and identify what sort of alien might be present. After that you narrow down the spawn zone where it first appeared, before finally facing the thing itself and attempting to photograph it. That final step is where the tension spikes. The game constantly reminds you that this is not just a checklist. Each alien behaves differently and you must understand its quirks before getting close enough for proof. It turns the act of taking a photo into something that feels risky and oddly personal.

Where UFOPHILIA shines most is atmosphere. Missions are unpredictable, with randomised spawn zones and alien types, so you never feel entirely comfortable. One run might involve something curious and almost playful, another might feature something openly aggressive or even prone to abduction. The uncertainty keeps you alert. There are some genuinely sharp jump scares and a steady, lingering unease that follows you from start to finish. It is not constant screaming horror. It is the quieter kind, the sort that makes you hesitate before stepping into the next patch of darkness.

The investigative side is also handled well. There is a satisfying learning curve as the game gradually teaches you how to use each tool and how different bits of evidence fit together. You begin to think like an investigator, cross referencing phenomena back at the RV, trying to narrow down possibilities. Certain devices work better together, and discovering those little synergies feels rewarding. It gives the experience more depth than simply wandering about waiting for a monster to appear.

That said, the whole thing feels rough around the edges. The core ideas are solid, but the execution sometimes struggles to keep up. Movement and general gameplay can feel clunky, which chips away at the tension the game works so hard to build. Instead of feeling scared, you occasionally feel frustrated, and that is never ideal in a horror title.

Lighting is another sticking point. Dark scenes are not just moody, they are often so dark that basic navigation becomes a chore. You end up staring at the night vision screen on your camera just to see where you are going. That might be the intended design, but it is not especially enjoyable. What should be tense becomes fiddly, and the constant reliance on a tiny green display takes you out of the world. 

Then there are the aliens themselves. Despite nine unique types with different behaviours and weaknesses, they can come across as a bit bland. For a game built around discovering and documenting unknown lifeforms, they do not always feel as striking or memorable as they should. The concept promises the unknown, but the reality can feel oddly familiar.

Even so, there is potential here. The mission structure, the randomisation, the use of specialised tech and the uneasy tone all point towards something that could be genuinely special. Right now it feels like a project that needed more time in the oven. Another year of polish and refinement could easily turn it from a decent curiosity into a standout horror experience.

As it stands, UFOPHILIA is intriguing, tense in places and occasionally very effective, but also clearly unfinished. Worth a look for fans of slow burn investigative horror, just with tempered expectations. I score it 6 out of 10.

Out Now on Steam

https://store.steampowered.com/app/3851320/UFOPHILIA/

REVIEW: EBOLA VILLAGE (2026 Video Game) on Xbox

Review by Jon Donnis

EBOLA VILLAGE wears its influences proudly. This is a survival horror game rooted firmly in the traditions of the 1990s, where atmosphere matters more than spectacle and progress is earned through patience rather than guidance. Played from a first person view on Xbox, it places you in the shoes of Maria as she travels to a remote USSR village following a chilling emergency broadcast about a biological threat. What follows is a slow, oppressive descent into something deeply unsettling.

One of the game's greatest strengths is its refusal to hold the player's hand. There is no glowing waypoint, no clear signposting, and no linear route laid out for you. You are expected to explore carefully, search rooms thoroughly, manage your inventory and piece together where to go next through observation and logic. Doors stay locked until you earn the right to open them, and new paths only reveal themselves once you have truly engaged with the environment. It is refreshing, and for fans of classic survival horror, deeply satisfying.

The atmosphere does most of the heavy lifting, and it succeeds. The sound design is particularly effective, with creaking floorboards, distant thunder, and the oppressive silence inside abandoned buildings creating constant tension. Music is often absent altogether, which only heightens the unease. The setting of a bleak USSR village feels carefully considered, and the environments are detailed enough to sell the illusion without becoming distracting. The visuals are solid rather than spectacular, but they serve the mood well, which is what matters here.

Puzzles are another highlight. They are balanced and thoughtfully designed, calling back to the style of 90s horror games where solutions make sense once discovered, but rarely feel obvious at first glance. Progress requires attention to detail and an understanding of the story, encouraging players to follow the narrative closely rather than rushing ahead. Combat, when it happens, is brutal and direct, supported by a variety of weapons, realistic enemy physics, and a damage system that does not shy away from dismemberment. Boss encounters add variety and reinforce the sense of danger lurking throughout the village.

That said, EBOLA VILLAGE is not without its drawbacks. The most noticeable is its length. A full playthrough can be completed in roughly five hours, which may leave some players wanting more once the credits roll. There is also the issue of motion sickness. Extended play sessions triggered discomfort for me on several occasions, something players sensitive to this should be aware of before diving in.

Despite these issues, EBOLA VILLAGE left a strong impression. I was genuinely surprised by how effective it is at capturing the spirit of classic survival horror while presenting it through a modern first person perspective. The atmosphere is thick, the gameplay is confident, and the experience feels focused and deliberate from start to finish.

EBOLA VILLAGE is a very decent game with strong atmosphere, solid visuals, and engaging mechanics that respect the player's intelligence. I would score it a confident 8.5 out of 10.

Out Now on Xbox

https://www.xbox.com/en-gb/games/store/ebola-village/9n6wqfsk8r3x

REVIEW: Planet of Lana (2025 Mobile Video Game) - on Android

Review by Jon Donnis

Planet of Lana arrives on mobile as a thoughtful, quietly confident puzzle platformer that wears its influences openly. Developed by Wishfully Studios, this 2025 release brings its cinematic ambitions to Android devices, placing players in control of Lana, a teenage girl navigating a beautifully imagined world under siege by hostile alien machines. It is a gentle game at heart, but one that understands how to layer tension, mystery and emotion without ever raising its voice.

From the outset, the presentation does a huge amount of the heavy lifting. The hand painted visual style is striking, clearly inspired by the softness and warmth of Studio Ghibli films, even when depicting a planet scarred by mechanical invasion. Lush landscapes, subtle animation and careful use of colour create a world that feels alive and worth saving. There is a constant undercurrent of unease, balanced by moments of calm beauty, which keeps the pacing taut without ever feeling rushed.

The story is simple but effective. Lana is searching for her abducted sister, and that clear motivation anchors the adventure nicely. There is no excess exposition, and the narrative unfolds naturally as you move through the world. It works because the game trusts its imagery and atmosphere to do the talking, which suits the genre well.

Gameplay follows a side scrolling puzzle platform structure, heavily influenced by cinematic titles such as Inside. Lana is not a fighter, and neither is her cat like companion Mui. Instead, progress comes through observation, timing and cooperation. Lana can swim and issue commands, while Mui's smaller size and agility allow it to reach places she cannot. Puzzles are built around this partnership, asking you to think carefully about positioning, timing and environmental interaction. Mui's ability to hypnotise certain creatures and, later on, the power to temporarily tame creatures and hack machines, add welcome layers without overcomplicating things.

The puzzles themselves are well executed and nicely paced, even if they rarely feel truly original. They are satisfying to solve, logically structured, and varied enough to avoid monotony. The real hook is how seamlessly they are integrated into the world, rather than feeling like obvious obstacles placed in your path.

Stealth plays a key role, as Lana and Mui cannot directly attack enemies. Avoiding detection and using the environment to bypass threats keeps encounters tense, especially when timing is tight. It reinforces the vulnerability of the characters and fits the tone of the story well.

Where the mobile version stumbles slightly is in its controls. Directing Mui can be fiddly at times, and touch screen input does not always feel as precise as the game demands. This is clearly a title designed with a gamepad in mind. Using a controller dramatically improves the experience, making movement and commands feel far more natural. While it is possible to connect the game to a larger screen and use a Bluetooth controller, that does somewhat undermine the appeal of having the game on a phone in the first place.

Despite these issues, Planet of Lana remains a strong example of the puzzle platformer genre. It may not reinvent the formula, but it executes its ideas with confidence, charm and a clear artistic vision. The sense of mystery carries you forward, and the bond between Lana and Mui gives the journey real emotional weight.

Planet of Lana is a beautiful, absorbing adventure that occasionally shows the limitations of its mobile format. With the right controller, it becomes a genuinely rewarding experience. Even with its lack of originality in places, it stands out thanks to its atmosphere, pacing and visual splendour. I thoroughly enjoyed my time with it and would comfortably score Planet of Lana a solid 8 out of 10.

Out Now on Android

play.google.com

REVIEW: Speed Rivals (2025 Video Game) - on PC (Steam)

Review by Jon Donnis

Speed Rivals takes the old slot car idea that so many of us grew up with and turns it into a digital toybox with a lot of charm. It brings that familiar Scalextric feeling back to life on your PC, only with sharper effects and a livelier sense of pace. The result is a racer that knows exactly what it is trying to be, and for the most part it hits the mark.

The strongest part of the game is how it captures that classic slot car rhythm. You only control your speed, so every lap becomes a small battle with the track rather than a test of steering skill. Ease off too late and you pop off the rail. Feather the throttle at the right moment and you glide through the bend with a bit of style. It feels simple, which is exactly the point. Anyone who grew up fiddling with Scalextric pieces on the living room floor will settle in quickly, and the game leans into that feeling with a nostalgic grin.

The short bursts of racing work nicely. You drop in, try to set a clean lap, fail, swear, retry, then nail it. 

The track editor itself deserves a bit of praise since it opens up a whole second layer of play. Building a circuit is good fun, and sharing your tracks online gives the whole thing a sense of community that helps a relatively small game feel much bigger.

The trouble starts when you veer away from the nostalgia. Players who have never touched a slot car in their life might find the lack of steering quite odd. It goes against everything you expect from a racing game, and that first hour can feel quite restricted. The bigger problem, though, is the camera work. None of the options feel fully comfortable. The top down view is the most workable, although you still end up sliding the camera about just to keep your car in sight. First person made me feel a bit queasy, and the other angles make it too hard to judge how fast you should be taking each corner. It gets in the way of the flow, which is a shame because the core loop is otherwise very smooth.

Speed Rivals is a good time if you already have a soft spot for slot car racing. It offers a bright set of tracks, lively time attack challenges, a hefty track editor and a community focus that should help it grow. It is still in early access, so there is room for improvement, especially with the cameras, but there is enough here already to keep fans entertained.

Right now it is a fun, slightly limited racer. A solid 7 out of 10.

Out Now on Steam

https://store.steampowered.com/app/3389390/Speed_Rivals__Build_Race__Share_Tracks/

REVIEW: CarCam (2025 Video Game) - On PC - Steam

Review by Jon Donnis

CarCam arrives on Steam with a simple pitch that taps straight into childhood memory. You take control of a tiny remote-controlled car and see the world through a camera perched on top of it. The idea feels instantly charming. The living room turns into an enormous playground where a table leg becomes a hairpin corner and a cushion becomes a launch ramp. It is a clever viewpoint and it gives the game a distinct personality, helped along by the sight of full sized humans wandering about in the background while you tear around their floor. That little detail adds an odd sense of scale and, in a funny way, makes the whole thing feel more playful. The use of classical music as the soundtrack gives it a quirky edge as well. I suspect the choices are down to royalty free availability, though they work surprisingly well and give the races a slightly whimsical lift.

The problem is that the concept is stronger than the execution at the moment. This is an early access title and you can feel that roughness in nearly every corner. Online activity is thin, so the multiplayer features often sit gathering dust. Free roam should be the mode that lets you kick back and enjoy the setting, yet the constant need to recharge your car gets in the way. Stopping on a pad to refill the battery breaks the flow and feels like an unnecessary chore. 

The controls do not help either. Being locked to keyboard input makes the handling far more awkward than it should be, particularly for a game that asks for precision and quick reactions. Races can feel confusing as a result, partly because it is not always clear where you are meant to go and partly because the camera perspective demands crisp steering that simply is not there yet. Even the menus feel bare, with very few settings to tweak, which reinforces the sense that the game has not reached its full shape.

CarCam has the heart of a delightful idea. The joy of seeing a familiar room blown up to epic scale is real and the tiny-camera perspective is genuinely fun. It just needs far more refinement to match that promise. Right now it feels like a concept rather than a finished experience. For me it is a pass at this stage, though I would not rule out returning in a year if the developers keep chipping away at the rough edges. The potential is there, it simply needs time to find its polish.

Out Now on Steam

https://store.steampowered.com/app/3760600/CarCam/

REVIEW: VORON: Raven’s Story (2025 Video Game) By Merk Games on PC (Steam)

Review by Jon Donnis

VORON: Raven's Story arrives on Steam with a clear sense of purpose. It wants you to feel what it is to be a raven in a world shaped by Norse myth, drifting through forests and ruins while tending to lost souls. Even before you reach the meat of the story, the premise gives the game a soft charm. You follow this young raven from his first clumsy flaps right through to the end of his life, and the journey comes with a steady mix of wonder and melancholy. It is all the more impressive once you remember that the entire thing is the work of a solo developer.

There is a warmth to the storytelling that carries the experience. Each soul you guide has a small tale to uncover, and these moments help the short runtime feel meaningful rather than rushed. The simple art style fits neatly with that tone. It never tries to dazzle, yet it has a quiet confidence and gives you enough beauty to enjoy as you skim above the landscape in search of secrets. There are small challenges and collectable bits tucked around the world too, just enough to keep you moving with purpose.

That said, the game stumbles in places that matter. My very first playthrough had me waddling about on the ground, confused and slightly irritated, because I had missed one brief chat with the parent bird. Without that moment the game never unlocked the ability to fly, and nothing explained what I had done wrong. It was an odd start that could easily put players off. Even when things were working as intended, the controls were never as smooth as you might expect. Flight should be the high point. Instead it often feels awkward, a little unpredictable, and occasionally more trouble than it is worth.

Moments like these make the game feel unfinished. The foundation is strong, the atmosphere is lovely, and the core idea is clever, yet the whole thing needs a bit more polish. You can see the ambition, though. You can feel the care behind it. For a short adventure built by one developer, it still delivers a couple of hours of pleasant escapism, carried by a thoughtful concept and a genuine attempt to do something different.

VORON: Raven's Story is a good effort that simply stops short of greatness. If the creator keeps going, each new project might grow a little sharper, a little bolder. For now, this is a small but likeable flight through myth and memory. I would call it a solid 7 out of 10.

Out Now on Steam

https://store.steampowered.com/app/2245180/VORON_Ravens_Story/