REVIEW: Dark Trip (2026 VR Video Game) - on MetaQuest

Review by Jon Donnis

Dark Trip arrives as one of the more unusual virtual reality releases in recent memory, and it wastes no time making that clear. This is not just another horror title dressed up for VR. It leans fully into its concept, building an experience around altered perception, unreliable reality, and the unsettling idea that the only way forward is to deliberately lose control.

You play as a detective investigating a disappearance in a small German town, a premise that sounds grounded at first but quickly spirals into something far stranger. The trail leads to an abandoned laboratory, one steeped in disturbing experiments and fragments of human suffering. Notes, recordings and environmental clues slowly piece together a grim history, one tied to wartime atrocities and occult ambitions. It is not subtle, and it does not try to be. Instead, it embraces a grotesque, almost theatrical tone that feels closer in spirit to Hellraiser than traditional detective fiction.

What sets Dark Trip apart is its core mechanic. Progression depends on the player choosing whether to remain sober or consume pills that trigger hallucinations. This is not a simple visual filter layered over the game. Entire rooms transform, puzzles shift logic, and previously invisible clues emerge only when perception is distorted. It creates a constant tension between clarity and chaos. You are never quite sure whether you are making things easier or more complicated by stepping into a hallucinated state.

At its best, this system feels genuinely inventive. Puzzles are carefully structured so that both sober and intoxicated approaches are viable, encouraging experimentation rather than forcing a single solution. Some sequences demand sharp observation in a stable environment, while others only make sense once reality begins to bend. It keeps the player engaged in a way many escape room style games struggle to achieve.

Visually, the game is strong throughout. The contrast between the cold, clinical design of the laboratory and the warped, organic horror of hallucinated spaces is striking. When the game leans into its more surreal side, it becomes genuinely unsettling. Walls breathe, machinery pulses, and the environment feels alive in a way that VR amplifies effectively. There is a confidence in how it presents these moments, even when they border on the absurd.

The storytelling is handled mostly through the environment, and it works well enough. Fragments of narrative are scattered across the rooms, encouraging players to piece together what happened rather than being told outright. It is not always subtle, but it is effective. The themes are dark, sometimes uncomfortably so, and clearly aimed at an adult audience. There is a deliberate push into taboo territory, which will not be for everyone.

That said, Dark Trip is not without its flaws. The use of AI generated artwork in places stands out, and not in a good way. It breaks immersion slightly, especially in a game that relies so heavily on atmosphere and detail. It feels like a shortcut in an otherwise carefully crafted experience.

Length is another issue. The game can be completed in around two hours, which feels short given the strength of its central idea. There is some replay value in revisiting rooms and experimenting with different approaches, but it only goes so far. Once the core mechanics have been fully explored, there is limited incentive to return.

There are also minor technical issues. Bugs do crop up, though not frequently enough to derail the experience. To the developers' credit, updates are ongoing and there is a sense that feedback is being taken seriously.

Even with its shortcomings, Dark Trip leaves a strong impression. It commits fully to its concept and delivers something genuinely different within the VR space. The idea of using altered states as a gameplay mechanic is not just a gimmick here. It is the foundation of the entire experience, and for the most part, it works.

Dark Trip is a disturbing, creative and at times genuinely unnerving piece of work. It may be short, and it may stumble in places, but it stands out in a crowded field simply by daring to do something different.

8 out of 10

Available at

https://www.meta.com/en-gb/experiences/dark-trip/27793698076945636/

REVIEW: Salmon Man (2026 Video Game) - on MetaQuest VR

Review by Jon Donnis

Salmon Man is a physics-based VR platformer for MetaQuest that surprises you with how much depth it hides behind a simple concept. You play as Salmon Man trying to make your way upstream using nothing but your paddle, and at first glance, it might look like a straightforward, even quirky, arcade challenge. But as you progress, the layers of design, precision, and difficulty become immediately clear. Every jump, swing, and manoeuvre requires thought, timing, and skill, and the game does an excellent job of making both victories and failures feel meaningful.

The core gameplay revolves around your paddle, which is both your lifeline and your main source of tension. It reacts precisely to your hand movements, with no noticeable lag, allowing you to pull off daring jumps or risky maneuvers with confidence. The physics are demanding yet fair, making every interaction feel grounded and intentional. It's particularly satisfying when you manage a difficult sequence perfectly, and equally frustrating when a single slip sends you tumbling back, forcing you to start again. This high-stakes loop gives the game a thrilling sense of challenge, especially when water transforms into lava and mistakes can cost you dearly.

Level design is another standout. Each stage is packed with creative obstacles, from swinging platforms to absurd environmental hazards, and the layout encourages experimentation and repeated attempts. The game constantly teases you with "just one more go," making it difficult to put down once you get going. The world itself is colourful, lively, and full of absurd touches that inject humour into the intense platforming. For speedrunners, Salmon Man is particularly well-suited. The leaderboard encourages replayability, and unlocking new paddles or completing side challenges adds extra goals for those who enjoy perfecting their runs.

That said, the game is not without its limitations. The graphics are fairly plain, reflecting the small studio behind the project, and while this doesn't impact gameplay, it does make the world feel a little less immersive at times. Players who dislike highly challenging or rage-inducing games may find it frustrating, as some sections require repeated attempts and precise timing to overcome. Motion sickness is generally mild but can occur during certain fast or awkward movements.

Salmon Man is a simple but deeply satisfying VR experience. It combines challenging physics-based platforming with playful, absurd environments and finely tuned controls. Each success feels earned, and the game rewards patience, skill, and persistence. For anyone who enjoys difficult games, precise movement, and the thrill of competing for the fastest times, Salmon Man delivers in spades (oars?).

I score Salmon Man a solid 8 out of 10.

Out Now on MetaQuest

https://www.meta.com/en-gb/experiences/salmon-man/24064765919861785/

REVIEW: Hidden Pictures: Agent Q (2025 MetaQuest VR Game) - A Clever and Charming VR Puzzle Adventure

Review by Jon Donnis

Hidden Pictures: Agent Q is one of those rare games that knows exactly what it wants to be. It's light-hearted but smart, playful without feeling shallow, and surprisingly rich in detail for something that invites you to explore tiny floating worlds. Designed for Meta Quest, this single-player VR puzzle game combines hidden object challenges, narrative progression, and a bit of collectable hunting, all set inside vibrant dioramas that appear in your home through mixed reality.

You take on the role of Agent Q, an elite operative from B.A.R.D., whose mission is to stop the Tumai, a group of space pirates trying to steal powerful Galaxy Orbs. These orbs have been shattered and scattered across more than sixty miniature planets. Each one has its own distinct theme, from Western towns and Halloween haunts to futuristic cities and cluttered museum exhibits.

At first glance, it seems simple. You search each world for items, clues, or fragments of the Galaxy Orbs. But it quickly becomes more involved. The locals in each setting, called Muddles, often have requests. They might hold up an item they want you to find, or ask you to complete a task in exchange for a clue. It's a smart way of pushing you to examine each world more closely, encouraging you to look behind buildings, rotate the entire level, or zoom in on the tiniest of details.

The game's presentation is one of its biggest strengths. The visuals are colourful and full of character. The Muddles have an odd, friendly design that makes them feel like animated toys, while each environment is packed with tiny moving parts. It's not just decorative. Almost everything you see might be a part of a puzzle, a hint, or a collectible. And thanks to the mixed reality system, these worlds can be placed right into your real space. Whether you're sitting or standing, you can adjust the game height, lean in to inspect objects, or simply move around the scene as if it's a living model on your table.

The game has multiple modes. Adventure Mode lets you work through the main story, exploring each level at your own pace. Puzzle Mode gives you timed challenges that lean more towards memory, observation, and logic. Then there's Boss Mode, which introduces the Tumai pirates in more dramatic scenes. These are bigger, louder encounters that shift the rhythm of the game just enough to keep things exciting.

There's also a strong collecting element. Each world hides one Tumai pirate, and once you catch them, they're added to your pirate collection. The same goes for the Muddles, many of whom have their own unique look or role in the story. It gives the game a satisfying sense of progress, even if you're only playing in short bursts.

In terms of difficulty, the game builds things up well. Early puzzles are straightforward and help you get used to how the controls work. Later stages require more observation and problem-solving, with some levels asking you to juggle multiple tasks at once. There's also the occasional rhythm mini-game, which works well enough, though it might not appeal to everyone. Fortunately, it doesn't overshadow the core gameplay.

The puzzles themselves are the right mix of relaxing and stimulating. Nothing ever feels like a chore. You're always nudged gently toward the solution, either by a character's comment or a visual clue. The satisfaction comes from figuring things out without being told exactly what to do.

Easy to pick up whether you're new to VR or already comfortable in that space. The interface is clean, the pacing is calm, and the tone is warm throughout.

Hidden Pictures: Agent Q is a strong addition to the growing catalogue of thoughtful, well-designed VR games. It's suitable for players of all ages, and while it leans into fun and whimsy, it still delivers meaningful interaction. The game understands how to use space, movement, and curiosity to keep you engaged.

Score: 9 out of 10

Imaginative, accessible, and packed with smart details. A rewarding experience that feels just as good for a quick session as it does for a long sit-down play.

Out Now on MetaQuest

https://www.meta.com/en-gb/experiences/hidden-pictures-agent-q/6494700220578310/

Thank you to Newmatic Co., Ltd. for providing the game key.