REVIEW: Dialoop (2026 Video Game) - on PC (Steam)

Review by Jon Donnis

Dialoop arrives with a clear intention. It wants to shake up a very familiar formula and wrap it in something louder, brighter, and a bit more unpredictable. At its core it is still a puzzle game about matching and scoring, but the way it layers roguelite systems and deckbuilding on top gives it a different rhythm. Every run feels slightly reassembled, as if the game is constantly nudging you to rethink how you approach the board.

The most immediate draw is the presentation. The visuals are bold, colourful, and almost hypnotic in motion. Blocks shift, flash, and collapse in a way that feels satisfying on a basic level, even before the deeper systems start to click. The voxel character designs add a playful edge, and the customisation options give you a small sense of ownership over the chaos. There is even a strange tonal twist with the defeat animations. Losing a run triggers an unexpectedly intense voxel demise that leans into dark humour. It is a jarring contrast, but one that sticks in the mind.

Mechanically, the sliding grid is the big talking point. Instead of simply swapping pieces, you shift entire rows and columns. It sounds like a small tweak, but in practice it changes how you read the board. You are not just reacting to what is there, you are constantly planning a few moves ahead, thinking about how one shift will ripple into another. It can feel awkward at first, especially if you are used to traditional match three systems, but there is a quiet satisfaction when it starts to make sense. Whether it was necessary is another question, but it is at least an honest attempt to evolve something well worn.

The roguelite structure adds another layer of tension. Building a deck that shapes how the board behaves gives each run a sense of identity. Cards trigger chain reactions, relics stack into powerful combinations, and suddenly a simple match turns into a cascade of points. Some relics feel transformative, especially when they boost multipliers or reward specific patterns. When the synergies line up, the game hits a real high. It becomes fast, reactive, and genuinely exciting, particularly in competitive matches where quick thinking matters.

That speed carries into the multiplayer side as well. Head to head battles can become frantic, with large combos disrupting opponents and shifting momentum in seconds. It is here that the game feels most alive. The systems that might feel a bit abstract in solo play suddenly have clear purpose when you are trying to outplay someone else.

There are drawbacks, and some are hard to ignore. The same visual intensity that makes the game stand out can also be overwhelming. The constant movement and colour can feel like too much, and for some players it may go beyond discomfort into outright nausea. It is not just busy, it is relentless. That alone will limit who can comfortably spend long sessions with it.

There is also a lingering question about depth. While the deckbuilding and relic systems add variety, the core loop still circles back to a familiar place. After a few runs, you may start to wonder if the added layers are enough to sustain long term interest. The game thrives in short bursts, where the quick pace and bright feedback keep you engaged. Stretch those sessions out, and the cracks begin to show.

The attempt at narrative, tied to ancient ruins and powerful guardians, is present but not particularly strong. It adds context rather than meaning, giving you a reason to move forward without ever becoming the main attraction. The bosses themselves are more interesting as gameplay challenges than as characters.

Dialoop ends up sitting in an unusual space. It is inventive without being essential, energetic without always being comfortable, and engaging without quite becoming absorbing over the long haul. There is a lot to admire in how it tries to push a familiar genre in a new direction, even if not every idea lands cleanly.

In the end, it is a solid and often enjoyable experience that feels best when taken in small doses. The visuals will pull some players in and push others away, and the mechanics will either click or frustrate depending on your patience. It does enough to stand out, just not quite enough to fully redefine what it is building on.

Dialoop earns a respectable 7 out of 10.

Out Now on PC Steam

https://store.steampowered.com/app/3020550/Dialoop_Roguelite_Puzzle/

REVIEW: ROGOLF (2026 Video Game) - on PC Steam

Review by Jon Donnis

ROGOLF takes a very familiar idea and nudges it somewhere slightly stranger. On the surface it is mini golf, plain and simple, but wrapped inside a roguelite structure and dressed up in a quietly bleak office setting. You are not just lining up shots for the sake of it. You are climbing floors, chasing a contract, and trying not to get fired along the way. It is a small twist, though a clever one, and it gives the whole thing a sense of purpose that basic mini golf games often lack.

The central loop is easy to grasp. Each run has you playing through a series of mini golf levels on an old computer, with success pushing you higher up the building in the real world. Between floors, the lift becomes a kind of lifeline. Here you meet a robot smuggler who offers upgrades, equipment, and small advantages that can make or break a run. It adds a bit of character, but more importantly it gives the game momentum. You are not just retrying holes. You are building towards something.

What keeps things engaging is the way each level introduces its own rules. One moment you are avoiding walls entirely, the next you are counting every shot against a strict limit. These variations stop the game from becoming too predictable, at least in the short term. There is a steady push to adapt, and that fits nicely with the roguelite structure where no two runs play out exactly the same way.

The scoring system adds another layer. Every shot costs you points, which creates a constant tension between caution and efficiency. At the same time, collecting coins boosts your multiplier, encouraging riskier play if you want to post higher scores. It is a simple system, but it works. Combined with the ability to buy power ups and extra balls in the break room, there is just enough strategy to keep you thinking beyond the next swing.

Still, for all its ideas, the core mini golf mechanics are quite basic. The act of hitting the ball never really evolves, and after a while you start to notice the limits. The visuals lean into a dated look, which may well be intentional given the office setting, but it does not do much to elevate the experience. More of a sticking point is the lack of variety in actual course layouts. You begin to recognise holes fairly quickly, and that repetition can dull the excitement, especially during longer sessions.

Even so, there is something appealing about the way ROGOLF ties everything together. The climb through the building, the small interactions in the lift, and the idea of pushing back against upper management with the help of a hidden ally all give it a bit of personality. It is not trying to reinvent mini golf completely. It is just trying to give it a new frame, and for the most part it succeeds.

ROGOLF ends up feeling like a modest but worthwhile experiment. It is easy to pick up, occasionally frustrating, and quietly satisfying when a run comes together. It does not quite have the depth to sustain endless play, but there is enough here to make the journey to the top floor feel earned.

A fair score of 6.5 out of 10 feels about right.

Out Now on Steam

https://store.steampowered.com/app/3810020/ROGOLF/

REVIEW: UFOPHILIA (2026 Video Game) - on PC Steam

Review by Jon Donnis

UFOPHILIA leans into the unnerving investigation type feeling from the very first mission. This first person psychological horror game casts you as an investigator whose obsession with UFO sightings has pushed them into the wild, chasing reports of close encounters and trying to prove, with cold hard evidence, that we are not alone. It is a simple hook, but an effective one.

Each mission begins quietly inside your cramped RV, which serves as both headquarters and safe haven. Screens flicker, equipment hums, and your tools are laid out like a ghost hunter's kit bag. Cameras, motion detectors, EMF readers, magnetic wave sensors and more sit ready to be deployed. From there you select a location tied to sightings, then step out into the dark with only your gear and your nerves for company. It is a strong setup that immediately sells the fantasy of being a lone field researcher rather than a typical horror game protagonist.

The structure is clear and methodical. First you pick the job, then you gather clues and identify what sort of alien might be present. After that you narrow down the spawn zone where it first appeared, before finally facing the thing itself and attempting to photograph it. That final step is where the tension spikes. The game constantly reminds you that this is not just a checklist. Each alien behaves differently and you must understand its quirks before getting close enough for proof. It turns the act of taking a photo into something that feels risky and oddly personal.

Where UFOPHILIA shines most is atmosphere. Missions are unpredictable, with randomised spawn zones and alien types, so you never feel entirely comfortable. One run might involve something curious and almost playful, another might feature something openly aggressive or even prone to abduction. The uncertainty keeps you alert. There are some genuinely sharp jump scares and a steady, lingering unease that follows you from start to finish. It is not constant screaming horror. It is the quieter kind, the sort that makes you hesitate before stepping into the next patch of darkness.

The investigative side is also handled well. There is a satisfying learning curve as the game gradually teaches you how to use each tool and how different bits of evidence fit together. You begin to think like an investigator, cross referencing phenomena back at the RV, trying to narrow down possibilities. Certain devices work better together, and discovering those little synergies feels rewarding. It gives the experience more depth than simply wandering about waiting for a monster to appear.

That said, the whole thing feels rough around the edges. The core ideas are solid, but the execution sometimes struggles to keep up. Movement and general gameplay can feel clunky, which chips away at the tension the game works so hard to build. Instead of feeling scared, you occasionally feel frustrated, and that is never ideal in a horror title.

Lighting is another sticking point. Dark scenes are not just moody, they are often so dark that basic navigation becomes a chore. You end up staring at the night vision screen on your camera just to see where you are going. That might be the intended design, but it is not especially enjoyable. What should be tense becomes fiddly, and the constant reliance on a tiny green display takes you out of the world. 

Then there are the aliens themselves. Despite nine unique types with different behaviours and weaknesses, they can come across as a bit bland. For a game built around discovering and documenting unknown lifeforms, they do not always feel as striking or memorable as they should. The concept promises the unknown, but the reality can feel oddly familiar.

Even so, there is potential here. The mission structure, the randomisation, the use of specialised tech and the uneasy tone all point towards something that could be genuinely special. Right now it feels like a project that needed more time in the oven. Another year of polish and refinement could easily turn it from a decent curiosity into a standout horror experience.

As it stands, UFOPHILIA is intriguing, tense in places and occasionally very effective, but also clearly unfinished. Worth a look for fans of slow burn investigative horror, just with tempered expectations. I score it 6 out of 10.

Out Now on Steam

https://store.steampowered.com/app/3851320/UFOPHILIA/

UK Residential Proxies Explained for Gamers and Remote Workers

Photo by RDNE Stock project:

UK residential proxies are a type of online tool that lets you connect to the internet through a UK based address. You use them on your computer when you need to appear as if you are browsing or gaming from the United Kingdom. The way they work is simple in concept, even if the technology behind them is complex. Instead of your real internet address being shown to a website or game server, the address of the proxy is shown. This changes your online location to the UK. If you want to explore stable and reliable UK residential proxies, a good example is https://stableproxy.com/en/proxies/residential/gb which offers options that behave just like real UK broadband connections.

For many people this might sound technical or even a bit exotic, yet it has practical value in daily life for online workers and especially for gamers who live outside the UK. People who work online often need to access services that are limited to certain regions. Sometimes pricing for software tools or digital goods varies by country. If you live abroad but want to take advantage of a UK price or a UK only service, a UK residential proxy makes that possible. The proxy makes websites think your computer is based in Britain, so you can browse or sign up for services that are geographically restricted.

Gamers get a particularly clear benefit from using UK residential proxies when they play online games with regional pricing differences. Many major games have different prices in sterling compared with euro or dollar regions. If you live in a country with higher prices, connecting through a UK address could let you see the price available to UK players. That might save you money. On top of that, some game servers are region restricted. You might find a UK server that has better ping or a more suitable community for your play style. By connecting through a UK proxy you can make your game think you are in the UK, so you can join those servers without extra fuss.

Photo by RDNE Stock project: 

There is also an advantage in terms of latency and stability. If the UK servers for a game are physically closer to you than servers in other countries, a UK proxy can reduce lag. In a fast action game every millisecond counts. Lower lag can mean smoother movement on screen, quicker hit registration, or just a more enjoyable experience. Gamers who compete in online matches know that any edge that improves connection quality can have a real impact on performance and satisfaction.

Another reason people choose UK residential proxies is privacy. When you use a proxy address you are not sending your real IP address to every site you visit. That can protect you from certain types of tracking or targeted ads. It is not a complete cloak of invisibility, but it is another layer of control over the way your internet identity is presented. For gamers this might limit targeted marketing or reduce the risk of account linking across different platforms.

It is worth thinking about how proxies differ from virtual private networks or VPNs. Both can change your apparent location, but residential proxies use IP addresses assigned to real devices in the UK. That means they look more natural to websites and online services. There are fewer chances of being blocked just because the address looks like it belongs to a data centre. For gaming this is important because many game networks take action against connections that look suspicious. A residential proxy looks like a regular user, so it blends in more easily.

There are also practical issues to consider. Not all proxies are created equal. Some are slower or less reliable, others can drop connections. That is why it is sensible to choose providers with good reputations and clear documentation on how their services work. When the provider offers UK based addresses that are rotated or stable depending on your needs, you get flexibility. Some games require the same address each time you connect, while others work fine with rotating addresses. Reading the guidance from the provider and understanding your gaming needs makes a big difference.

For online freelancers who write code, manage social media, or operate remote services, UK residential proxies also open doors. You might need to test how a website looks in the UK, or reach services that show different content by region. That can be essential for quality assurance work or managing a global online presence. A proxy lets you do that testing from your home office without physically being in another country.

There are situations where proxies improve security too. If you connect to public wifi to game or work, your traffic could be exposed. Some proxy providers offer encrypted connections that help protect your data while in transit. That means even if someone on the same network tries to snoop on your activity, they see the proxy address and not your real connection. It is another layer of care for your online life.

If you live outside the UK and want to take advantage of games or work routines that are more accessible from a UK based connection, residential proxies provide a flexible and powerful tool. They let you bridge geographical gaps, explore regional offers, and improve your experience with gaming and online services. With thoughtful use and reputable providers, they can be an essential part of your computer setup for both work and play.

REVIEW: Speed Rivals (2025 Video Game) - on PC (Steam)

Review by Jon Donnis

Speed Rivals takes the old slot car idea that so many of us grew up with and turns it into a digital toybox with a lot of charm. It brings that familiar Scalextric feeling back to life on your PC, only with sharper effects and a livelier sense of pace. The result is a racer that knows exactly what it is trying to be, and for the most part it hits the mark.

The strongest part of the game is how it captures that classic slot car rhythm. You only control your speed, so every lap becomes a small battle with the track rather than a test of steering skill. Ease off too late and you pop off the rail. Feather the throttle at the right moment and you glide through the bend with a bit of style. It feels simple, which is exactly the point. Anyone who grew up fiddling with Scalextric pieces on the living room floor will settle in quickly, and the game leans into that feeling with a nostalgic grin.

The short bursts of racing work nicely. You drop in, try to set a clean lap, fail, swear, retry, then nail it. 

The track editor itself deserves a bit of praise since it opens up a whole second layer of play. Building a circuit is good fun, and sharing your tracks online gives the whole thing a sense of community that helps a relatively small game feel much bigger.

The trouble starts when you veer away from the nostalgia. Players who have never touched a slot car in their life might find the lack of steering quite odd. It goes against everything you expect from a racing game, and that first hour can feel quite restricted. The bigger problem, though, is the camera work. None of the options feel fully comfortable. The top down view is the most workable, although you still end up sliding the camera about just to keep your car in sight. First person made me feel a bit queasy, and the other angles make it too hard to judge how fast you should be taking each corner. It gets in the way of the flow, which is a shame because the core loop is otherwise very smooth.

Speed Rivals is a good time if you already have a soft spot for slot car racing. It offers a bright set of tracks, lively time attack challenges, a hefty track editor and a community focus that should help it grow. It is still in early access, so there is room for improvement, especially with the cameras, but there is enough here already to keep fans entertained.

Right now it is a fun, slightly limited racer. A solid 7 out of 10.

Out Now on Steam

https://store.steampowered.com/app/3389390/Speed_Rivals__Build_Race__Share_Tracks/

REVIEW: CarCam (2025 Video Game) - On PC - Steam

Review by Jon Donnis

CarCam arrives on Steam with a simple pitch that taps straight into childhood memory. You take control of a tiny remote-controlled car and see the world through a camera perched on top of it. The idea feels instantly charming. The living room turns into an enormous playground where a table leg becomes a hairpin corner and a cushion becomes a launch ramp. It is a clever viewpoint and it gives the game a distinct personality, helped along by the sight of full sized humans wandering about in the background while you tear around their floor. That little detail adds an odd sense of scale and, in a funny way, makes the whole thing feel more playful. The use of classical music as the soundtrack gives it a quirky edge as well. I suspect the choices are down to royalty free availability, though they work surprisingly well and give the races a slightly whimsical lift.

The problem is that the concept is stronger than the execution at the moment. This is an early access title and you can feel that roughness in nearly every corner. Online activity is thin, so the multiplayer features often sit gathering dust. Free roam should be the mode that lets you kick back and enjoy the setting, yet the constant need to recharge your car gets in the way. Stopping on a pad to refill the battery breaks the flow and feels like an unnecessary chore. 

The controls do not help either. Being locked to keyboard input makes the handling far more awkward than it should be, particularly for a game that asks for precision and quick reactions. Races can feel confusing as a result, partly because it is not always clear where you are meant to go and partly because the camera perspective demands crisp steering that simply is not there yet. Even the menus feel bare, with very few settings to tweak, which reinforces the sense that the game has not reached its full shape.

CarCam has the heart of a delightful idea. The joy of seeing a familiar room blown up to epic scale is real and the tiny-camera perspective is genuinely fun. It just needs far more refinement to match that promise. Right now it feels like a concept rather than a finished experience. For me it is a pass at this stage, though I would not rule out returning in a year if the developers keep chipping away at the rough edges. The potential is there, it simply needs time to find its polish.

Out Now on Steam

https://store.steampowered.com/app/3760600/CarCam/

REVIEW: VORON: Raven’s Story (2025 Video Game) By Merk Games on PC (Steam)

Review by Jon Donnis

VORON: Raven's Story arrives on Steam with a clear sense of purpose. It wants you to feel what it is to be a raven in a world shaped by Norse myth, drifting through forests and ruins while tending to lost souls. Even before you reach the meat of the story, the premise gives the game a soft charm. You follow this young raven from his first clumsy flaps right through to the end of his life, and the journey comes with a steady mix of wonder and melancholy. It is all the more impressive once you remember that the entire thing is the work of a solo developer.

There is a warmth to the storytelling that carries the experience. Each soul you guide has a small tale to uncover, and these moments help the short runtime feel meaningful rather than rushed. The simple art style fits neatly with that tone. It never tries to dazzle, yet it has a quiet confidence and gives you enough beauty to enjoy as you skim above the landscape in search of secrets. There are small challenges and collectable bits tucked around the world too, just enough to keep you moving with purpose.

That said, the game stumbles in places that matter. My very first playthrough had me waddling about on the ground, confused and slightly irritated, because I had missed one brief chat with the parent bird. Without that moment the game never unlocked the ability to fly, and nothing explained what I had done wrong. It was an odd start that could easily put players off. Even when things were working as intended, the controls were never as smooth as you might expect. Flight should be the high point. Instead it often feels awkward, a little unpredictable, and occasionally more trouble than it is worth.

Moments like these make the game feel unfinished. The foundation is strong, the atmosphere is lovely, and the core idea is clever, yet the whole thing needs a bit more polish. You can see the ambition, though. You can feel the care behind it. For a short adventure built by one developer, it still delivers a couple of hours of pleasant escapism, carried by a thoughtful concept and a genuine attempt to do something different.

VORON: Raven's Story is a good effort that simply stops short of greatness. If the creator keeps going, each new project might grow a little sharper, a little bolder. For now, this is a small but likeable flight through myth and memory. I would call it a solid 7 out of 10.

Out Now on Steam

https://store.steampowered.com/app/2245180/VORON_Ravens_Story/

REVIEW: Anima Gate of Memories I & II Remaster (2025 Video Game) - On Xbox

Review by Jon Donnis

Stepping into Anima Gate of Memories I and II Remaster feels a bit like opening an old storybook that has been given fresh ink and sharper illustrations. Everything is familiar to long time fans, yet polished enough for newcomers to feel right at home. The collection brings both Anima Gate of Memories and The Nameless Chronicles together in one place, now brushed up with cleaner textures, clearer menus, and tutorials that flow far better than before. It is a noticeable lift that smooths out the early learning curve and makes the whole experience easier to settle into.

The heart of the game sits firmly in its world of Gaia, which is drawn from the Spanish tabletop RPG Anima Beyond Fantasy. The remaster does a good job of capturing the tone of that universe, where ancient monsters, cursed souls and uncertain destinies collide. You follow the Bearer and Ergo Mundus in the first story, then move into the path of an immortal wanderer in the second. Both narratives twist around secrets hidden inside the Tower of Arcane, and you can feel the weight of that place in the way every room, corridor and memory shaped landscape is presented. There is a distinct atmosphere here. It has that dark fantasy edge with touches of an anime inspired mood, which gives the whole thing a dramatic, dreamlike quality.

Combat remains the strongest part of the experience. It is fast and fluid with a nice sense of rhythm once you settle into switching between the Bearer and Ergo. You can flick between them with a single button, and it never loses its thrill when a smooth combo comes together. Each character has their own set of skills, and shaping them to your liking gives the game a proper RPG feel. Exploring the interconnected locations inside the tower adds to that sense of discovery. Every area feels like it has been crafted with intention. The music reinforces that feeling with a haunting tone that settles into your head as you move from one fight to another.

The remaster's visual upgrades make a real difference. Textures are cleaner, animation transitions feel more natural, and the UI refresh helps navigation enormously. It gives the whole package a sense of confidence, almost as if the game finally looks the way it always wanted to. As a result, the pacing feels smoother and you are far less likely to become tangled in menus.

Not everything lands perfectly. Some of the voice acting leans into a slightly uneven performance and a few lines of dialogue can feel a bit too cheesy for their own good. These moments are never enough to break the experience, though they do stand out against the stronger storytelling beats.

Coming into this remaster, it surprised me how easy it was to get pulled into its mix of sharp combat, rich lore and striking style. It feels bold, sometimes strange, but always driven by a clear creative identity. Whether you are returning to rediscover the saga or stepping into Gaia for the first time, this collection feels like the right way to do it.

For me, Anima Gate of Memories I and II Remaster earns a confident 8.5 out of 10.

Out Now

https://amzn.to/4oJhTSM